It’s an odd balance that he strikes so beautifully in all his work. We always feel that his most outrageous moments are not so outlandish. And yet we always feel that he’s retaining a certain level of conservative cinematic structure in his movies. Just when you think you might have his intentions pinned down because he’s given you something rather traditional, he throws a curveball that turns expectations on their head. The director, whether working on an animated film, a suspense thriller, or a sci-fi classic, always manages to keep the viewer shocked and comfortable at the same time. Luc Besson’s films are strange and yet familiar. This week’s installment features Luc Besson’s “ The Fifth Element.” We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. “Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema.
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